Keterkaitan Ritual Tolak Bala (Ghatib beghanyut) dengan Pelestarian Nilai-nilai Keagamaan

A S Retno Ningsih, Yunus Winoto, Elnovani Lusiana — Thu, 13 Jul 2023 02:59:35 +0000

Ghatib Beghanyut is a religious tradition of the Siak Malay community. This tradition has been going on since the days of the Malay sultanate. The purpose of this research is to find out the process of carrying out this tradition and to analyze the relationship between ritual and religious values. The research method used is descriptive qualitative. The data collection techniques are by observing, interviewing, documenting, and reviewing the literature. The results of the study show that this tradition began during the XII Sultan, namely Sultan Syarif Kasim II. Since the beginning, this tradition has followed Islamic guidelines, namely based on the Koran. As the saying goes, Adat is based on syara', syara' is based on the Book of Allah. The conclusion in this study is that ghatib beghanyut or commonly known as the tradition of rejecting reinforcements is a culture created by a group of people with the aim of asking for protection from the Almighty.

Sejarah Perubahan Genre Dan Tujuan Bermusik Religi Di Indonesia: Sebuah Tinjauan Sejarah-Budaya

Fikri Surya Pratama, Annisa Annisa — Mon, 10 Jul 2023 01:58:35 +0000

The arts, such as music, are one of the channels for the spread of Islam in the archipelago. In its development, human culture will continue to evolve, including music. From the time of Islamisation, through the colonial era to the modern era, religious music in Indonesia will undergo changes. This paper aims to explain the development of the genre and purpose of Islamic music in Indonesia. The research method used is the historical research method with its stages: 1) heuristics, research data sources are collected through literature studies; 2) source criticism, selecting the validity of research data sources; 3) interpretation with the cultural evolution theory approach; 4) historiography. The results showed that the development of classical Indonesian Islamic music was born according to the socio-cultural aspects of each region. In Java, Islamic music was born from the acculturation of Javanese culture and Islamic content. In Minangkabau, the Middle Eastern music culture (gambus & gamad) dominates instrumentally. However, the lyrical content remains on Islamic & Minangkabau themes. In later developments, Indonesian Islamic music began to be influenced by Western cultural genres and instruments. The changes are not only 'physical', but also in the purpose of contemporary Islamic music. Music that was once intended as a medium for da'wah and local Islamic cultural identity has slowly turned into 'market' oriented work or consumerism. Muslims who have become the majority have also had an influence in shifting music away from its original purpose of da'wah.

Tamaddun: Jurnal Kebudayaan dan Sastra Islam

Keterkaitan Ritual Tolak Bala (Ghatib beghanyut) dengan Pelestarian Nilai-nilai Keagamaan

Sejarah Perubahan Genre Dan Tujuan Bermusik Religi Di Indonesia: Sebuah Tinjauan Sejarah-Budaya