Analysis of Da'wah Messages in Ali Farighi's Cinta Subuh Film

Analisis Pesan Dakwah dalam Film Cinta Subuh Karya Ali Faraghi

Abstract

This thesis is entitled "Analysis of Da'wah Messages in Ali Farighi's Cinta Subuh Film." This research is motivated by a point of view that film can be a medium that is quite effective in conveying the contents of da'wah messages. The formulation of the problem in this study is how the message of da'wah is contained in the film Cinta Subuh by Ali Farighi. The research methodology used is qualitative (Library Research). The theory used by the Ronald Barterhs model is that there is a marking of the meaning conveyed through the film "Cinta Subuh" both in denotation, connotation and methodology. The results of the study show that the analysis of the da'wah messages in the film Cinta Subuh by Ali Farighi, namely from the images from scenes 1-35 scane, the markers and markers explain that Angga is grateful to have met Ratih before his marriage, Angga becomes a young man who obeys fardhu prayers, tries to get used to themselves to wake up at dawn and perform the dawn prayer in congregation at the mosque. Da'wah messages conveyed by denotation such as aqidah, shari'ah and morals. The sign of the connotation of the wedding scene gives a message of da'wah in marriage can strengthen faith and piety to Allah SWT, increase rewards, bring angels, perfect marriage worship, increase harmony in the household, dissolve sins, establish good relationships, avoid destruction in the household and blessings in marriage. In myth, that is, the missionary message contained in trying to get used to getting up at dawn and performing dawn prayers in congregation at the mosque. Support from the closest people makes a person accustomed to carrying out worship on time.