Keindahan Iluminasi dan Kaligrafi Dalam Manuskrip Mushaf Hj. Fatimah Siti Hartinah Soeharto
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Published:
Jun 14, 2022
Keywords:
Illumination, calligraphy, relevance, Mushaf Hjh. Fatimah Siti Hartinah Soeharto
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Abstract
This article aims to determine the decorative and visual forms contained in the Mushaf Hj. Fatimah Siti Hartinah Suharto initiated by Suharto's family to commemorate the death of Tien Suharto's mother. By using the philological method, it can be concluded that Mushaf Hj. Fatimah Siti Hartinah Suharto contains relevance to the development of the Qur'anic manuscripts in Indonesia. This is because Mushaf Hj. Fatimah Siti Hartinah Suharto is the first manuscript in Indonesia made in the name of a woman. This manuscript is also a sign that Indonesia has a high Islamic value. The process of making Mushaf Hj. Fatimah Siti Hartinah Suharto is being watched closely, in an effort to maintain the authenticity of the Qur’an so that there are no errors in writing. The relevance of Mushaf Hj. Fatimah Siti Hartinah Suharto in the development of manuscripts with illuminated calligraphy shows that art, culture and religion can coexist when presented correctly.
Article Details
How to Cite
Izzah, Amnah Nur. “Keindahan Iluminasi Dan Kaligrafi Dalam Manuskrip Mushaf Hj. Fatimah Siti Hartinah Soeharto”. Jurnal Semiotika-Q: Kajian Ilmu al-Quran dan Tafsir 2, no. 1 (June 14, 2022): 33–54. Accessed April 15, 2025. https://jurnal.radenfatah.ac.id/index.php/jsq/article/view/12206.
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How to Cite
Izzah, Amnah Nur. “Keindahan Iluminasi Dan Kaligrafi Dalam Manuskrip Mushaf Hj. Fatimah Siti Hartinah Soeharto”. Jurnal Semiotika-Q: Kajian Ilmu al-Quran dan Tafsir 2, no. 1 (June 14, 2022): 33–54. Accessed April 15, 2025. https://jurnal.radenfatah.ac.id/index.php/jsq/article/view/12206.
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Apandie, Chris, dan Endang Danial Ar, Huma Betang: Identitas Moral Kultural Suku Dayak Ngaju Kalimantan Tengah, Journal of Moral and Civic Education, Volume 3 No 2 2019
Baskoro Miko Putro, Indro, Alat Transportasi Kasultanan Ngayogyakarta Hadiningrat Dalam Perspektif Integrasi Struktural, Corak Jurnal Seni Kriya Vol. 2 No.2, Nopember-April 2014
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Herman R.N., Arsitektur Rumah Tradisional Aceh, Jakarta Timur, Badan Pengembangan dan Pembinaan Bahasa, 2018
http://fath-multimedia.blogspot.com, 5 Februari 2022
https://Id.m.wikipedia.org
https://kbbi.web.id/iluminasi.html
https://kbbi.web.id/kaligrafi.html
Idham, Pesona Masigi Ogena (Masjid Agung) Keraton Walio Kesultanan Buton, Makasar, Badan Penelitian dan Pengembangan Agama, Jurnal Lektur Keagamaan, Vol. 10, No. 1, 2012:209-232
Junaedi, Deni, dan Adnan Aditya K., Komposisi Efek Spontan Cat Air Dengan Sulur Tradisional Yogyakarta Pada Penciptaan Lukisan, Corak Jurnal Seni Kriya Vol. 7 No.1, Mei-Oktober 2018
Lajnah Pentashihan Mushaf Al-Qur’an Badan Litbang dan Diklat Kementrian Agama RI, Pedoman Lomba Nasional Iluminasi Mushaf Al-Qur’an Tahun 2020, Bayt Al-Qur’an dan Museum Istiqlal
Mulyani, Intan, Nyeni Tuh kayak Gini, Loh!, Bandung, DAR! Mizan, 2005
Rofi’ Usmani, Ahmad, Jejak-Jejak Islam Kamus Sejarah dan Peradaban Islam dari Masa ke Masa, Yogyakarta, Penerbit Bunyan, 2015
Rohmansyah, Alfian, Teori Filologi, Yogyakarta, Cv. Istana Agency, 2018
Setya Budi, Arifin,“Iluminasi Naskah Jawa Kuno: Kajian Estetik Simbolik Ragam Hias Pada Serat Pakuwon”, Skripsi, Universitas Negeri Semarang, Semarang, 2016
Shihab, Quraish, Wawasan Al-Qur’an Tafsir Maudhu’I atas Pelbagai Persoalan Umat, cet 8, Bandung, Mizan, 1998
Sirojuddin A. R, Seni Kaligrafi Islam, cet.2, Jakarta, Amzah, 2020
Suerni, Tri, Perbedaan Desain Batik Kawung Klasik dan Batik Kawung Modern, Jurnal PPPPTK Yogyakarta 2018
www.infobudaya.net, Kembang Kantil Batik Simbol Kasih Sayang Abadi, 6 Februari 2022
Yulika, Febri, Jejak Seni Dalam Sejarah Islam, Sumatera Barat, ISI Padang Panjang, 2016