Semiotic Analysis of Rolland Barthes in the Song Qaliilu Aqlin by the Band Alfarabi Musik

Article Sidebar

PDF
Published: Dec 20, 2024
DOI: https://doi.org/10.19109/tamaddun.v24i2.26912
Keywords:
Semiotika Roland Barthes, Qaliilu Aql.

Main Article Content

Dwi anggraini
Universitas Islam Negeri Raden Fatah Palembang, Indonesia
Muhammad Walidin
Universitas Islam Negeri Raden Fatah Palembang, Indoensia
Ulil Albab
Universitas Islam Negeri Raden Fatah Palembang, Indoensia

Abstract

This research employs a semiotic approach by Roland Barthes on the song "Qaliilu Aql." The aim of this study is to analyze the signs and meanings contained in the lyrics of "Qaliilu Aql," including both literal meanings and implied meanings, referred to as denotative and connotative meanings, as well as mythological messages. The research questions in this study are: first, what are the forms of denotative and connotative meanings in the song "Qaliilu Aql"? Second, what is the form of the myth in the song "Qaliilu Aql"? The method used in this study is qualitative descriptive, utilizing data collection techniques such as observation, reading, and note-taking. The researcher presents the data in both formal and informal formats. The results of this study indicate that there are 3 denotative meanings, 3 connotative meanings, and 3 mythological messages found in the first, second, and seventh stanzas.

Article Details

How to Cite
“Semiotic Analysis of Rolland Barthes in the Song Qaliilu Aqlin by the Band Alfarabi Musik”. Tamaddun: Jurnal Kebudayaan dan Sastra Islam 24, no. 2 (December 20, 2024): 77–86. Accessed March 19, 2025. https://jurnal.radenfatah.ac.id/index.php/tamaddun/article/view/26912.
Issue
Vol. 24 No. 2 (2024): Tamaddun: Jurnal Kebudayaan dan Sastra Islam
Section
Artikel
Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Authors who publish with this journal agree to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work
 
Author Biography

Dwi anggraini, Universitas Islam Negeri Raden Fatah Palembang, Indonesia

WWW

How to Cite

“Semiotic Analysis of Rolland Barthes in the Song Qaliilu Aqlin by the Band Alfarabi Musik”. Tamaddun: Jurnal Kebudayaan dan Sastra Islam 24, no. 2 (December 20, 2024): 77–86. Accessed March 19, 2025. https://jurnal.radenfatah.ac.id/index.php/tamaddun/article/view/26912.

References

Ambarini, Nazla Maharani Umaya. Semiotika Teori Dan Aplikasi Pada Karya Sastra. Revista Brasileira de Linguística Aplicada. Vol. 5, 2016. https://revistas.ufrj.br/index.php/rce/article/download/1659/1508%0Ahttp://hipatiapress.com/hpjournals/index.php/qre/article/view/1348%5Cnhttp://www.tandfonline.com/doi/abs/10.1080/09500799708666915%5Cnhttps://mckinseyonsociety.com/downloads/reports/Educa.

Dwi, Hadist, Fajri Muhammad, and Eko Subiantoro. “Implikasi Pendidikan Dari QS . Az-Zumar Ayat 9-10 Tentang Taat Dan Bertakwa Kepada Allah Terhadap Upaya Pembinaan Akidah Dan Akhlak” 3, no. 1 (2023): 28–36. https://doi.org/https://doi.org/10.29313/bcsied.v3i1.5567.

Jannah, Miftahul. “Gangguan Kecemasan Anxiety Dalam Al-Quran (Studi Tematik Tafsir Ayat-Ayat Kesempitan Jiwa),” 2023.

Muhsim, Ahmad. “Makna Ash-Shadr Dalam Al-Qur’an ( Kajian Muqoranah Shafwatut Tafasir Dan Tafsir Al-Munir),” 2017.

Nasirin, Choiron, and Dyah Pithaloka. “Analisis Semiotika Konsep Kekerasan Dalam Film The Raid 2 : Berandal” 1, no. 1 (2022): 28–42.

Nugraha, Rahmadya Putra. “Konstruksi Nilai-Nilai Nasionalisme Dalam Lirik Lagu (Analisis Semiotika Ferdinand De Saussure Pada Lirik Lagu ‘Bendera’).” Jurnal Ilmu Ekonomi Dan Sosial 5, no. 3 (2016): 290–303. https://www.neliti.com/publications/237541/konstruksi-nilai-nilai-nasionalisme-dalam-lirik-lagu-analisis-semiotika-ferdinan.

Rendi, Abdurrahman, Bakhtaruddin. “Interpretasi Makna Lirk Lagu - Lagu Grup Musik ERK Dalam Album ERK : Kajian Semiotika.” Jurnal Bahasa Dan Sastra 1, no. 2 (2013). https://ejournal.unp.ac.id/index.php/ibs/article/view/1481/1288#.

Setiadi, Ozi. “Kematian Dalam Prespektif Al-Qur’an.” Al-Ashriyyah 4, no. 1 (2017): 69–93.

Trimo Wati, Trimo Wati, Dina Safira Ikmaliani, and Mustolehudin. “Representasi Makna Denotasi Dan Konotasi Dalam Lirik Lagu Kun Fayakun (Analisis Semiotika Roland Barthes).” Alibbaa’: Jurnal Pendidikan Bahasa Arab 3, no. 1 (2022): 73–102. https://doi.org/10.19105/ajpba.v3i1.5172.